Last Friday, at Rockwood Music Hall in New York, guitar ace Scott Sharrard and a group of musical cohorts marked the occasion of the Presidential Inauguration with a scorching performance of Pink Floyd's classic album, Animals. By his side was guitarist Connor Kennedy, with whom Sharrard previously played this material at the Bearsville Theater in Woodstock, and who, additionally, handled much of the vocals. The band also included friends and frequent collaborators including Scott's bandmate in Gregg Allman & Friends, Brett Bass on bass, along with Eric Finland on keyboards, Fab Faux drummer Rich Pagano, erstwhile Ratdog sax player, Kenny Brooks, and Broadway performer, Joshua Kobak, providing additional vocals and spoken word interludes. Together, they blazed through the entirety of Floyd's scathing work of progressive rock socio-political criticism, making no bones about where they stood in regards to the events of the day.
The band bookended the set with other memorable Floyd pieces which highlighted the evening's theme. Opening with "Us and Them" from Dark Side of the Moon, the show began on an apocalyptic note as the band vamped behind Kobak while he recited the classic Robert Frost poem, "Fire and Ice," in which the author asks himself in which of these two will the world end, and whether it will be brought about through passion or hatred. Segueing into the song, the sonic tone of the evening was firmly established. The dynamics inherent in the original material were even more emphasized in this intimate setting as the band glided between delicate passages and dramatic bursts of incredible power and flesh-melting volume.
The set ender, "Comfortably Numb" from The Wall, arguably one of Pink Floyd's most well known songs and a crowd-pleaser, provided a cathartic conclusion, and the audience was encouraged to sing along. The song, originally about a jaded rock star, took on a new meaning in the context of this performance, and contributed to the theme of the evening.
|Sharrard and Kennedy|
The event was organized as a benefit for ProPublica, a New York based, public interest oriented, non-profit newsroom. Sharrard was intent that the evening was to be "a celebration of freedom of speech and transparency in media that is vital for our collective survival." The band pulled no punches, musically or politically, but in the end, the feeling in the room was of unity and not anger. And though Roger Waters' caustic lyrics on Animals seem even more relevant today, I felt that the real theme of the evening was summed up by the first and last songs, and that we must recognize and heal the divisions between us, that we must be vigilant and aware, and not allow ourselves the luxury of simply becoming "Comfortably Numb."