Trying in Vain to Find Logic in the Rock and Roll Hall of Fame's Induction Process
Deep Purple, Mark I Ritchie Blackmore, Rod Evans, Ian Paice, Jon Lord and Nick Simper |
As is the case with many bands, Deep Purple included many
musicians over the years, which presents the problem of deciding which members
are to be honored. Usually the Hall recognizes members of "classic"
lineups, whatever that means. In the case of Deep Purple, there are a number of
omissions for various reasons. Current members Steve Morse (who replaced the
notoriously cantankerous founding guitarist Ritchie Blackmore in 1994) and Don
Airey (who took over the keyboard chair from Jon Lord in 2002) are not
included, in spite of their years in the band. In addition, in spite of their
popularity (largely due to other projects) the one-album stints of guitarist
Tommy Bolin and vocalist Joe Lynn Turner were not enough to warrant inclusion.
In the end, the Hall chose to induct all of the members from the band's
inception in 1968 up to the departure of Blackmore in 1975.
All except for Nick Simper, the founding bassist who played
on the first three albums including the hit single, "Hush."
Commenting in Classic Rock magazine, Simper himself seemed
to take the snub in stride and did not blame his old bandmates. "Yes, it is a little strange that I am
[the] only one from Marks I, II and III being left out, but I shan't lose any
sleep over this. It's not as if I need to be given this award to know what we
did in Deep Purple made an impact. And I'm sure it wasn't a decision that came
from the band.”
Even considering that the band did not achieve their
greatest success or even their defining sound until his departure in 1969, his
exclusion is quite inexplicable. After all, vocalist Rod Evans, whose tenure
with band ended at the same time as Simper's, is being honored, in spite of
controversy and a lawsuit around fraudulent use of the band name.
Interviews with numerous Hall of Fame acts back up Simper's
belief that the groups themselves do not necessarily choose the inductees. I
have tried to find the specific rules as to who is to be included, and who
makes these decisions, but in vain. Even searching for consistency in the list
of members proves to be problematic. In my search for a set of criteria, I
found numerous examples which simply contradict each other.
The only thing I ever found that suggested a concrete rule
was in the case of Jack Sherman, erstwhile guitarist for the Red Hot Chili
Peppers. Sherman was vocal in his disappointment at being snubbed when the band
was inducted in 2012. Though the decision was ostensibly made by the Hall of
Fame, Sherman believed that the decision was influenced by the band itself.
Told that induction was limited to "original and current members, and
those who played on multiple records," he believed that it was
technicality designed to exclude him and Jane's Addiction guitarist Dave
Navarro, who played on the band's 1995 album One Hot Minute when long-time
member John Frusciante had taken a hiatus from the band. By these criteria,
Sherman, who played on the first album but was not a founding member, did not
qualify. In a turn of events that must have been particularly insulting,
current guitarist Josh Klinghoffer, who had only a full member of the band for
three years and had been all of four years old when the band was founded in
1983, did receive the honor of inclusion. This strange technicality made Klinghoffer
the youngest member of the Hall of Fame.
Stu doesn't need your pity. |
Warren Haynes |
Now, I do not intend to slight Klinghoffer, but personally,
I believe that Haynes is far more deserving of the honor.
Which leads me back to the case of Nick Simper. Before Deep
Purple, Simper had played with a number of working English bands in the early
sixties. Notably, he was the last bass player for Johnny Kidd and the Pirates,
a hugely influential group whose single "Shakin' All Over" became a
rock staple and was famously covered by The Who on their Live at Leeds album.
Admittedly a late-comer to the group, Simper had the sad distinction of being
present (and injured) in the car crash that killed Kidd. He would later do a
stint in Screaming Lord Such and the Savages before playing in the Flower Pot
Men with Jon Lord.
It was Lord who recommended Simper to fill the role as
bassist in Deep Purple, a band that he was starting with guitarist Ritchie
Blackmore. When singer Rod Evans came to audition, he brought along his drummer
Ian Paice, and the lineup of what would later be known as Deep Purple, Mark I,
would be complete. That lineup, which played a blend of proto-progressive and
psychedelic rock, would find modest success and tour internationally.
Simper and Evans would be fired in 1969 due to the desire of
Blackmore, Lord, and Paice to take the band in a heavier direction. Simper
would play with a number of bands over the ensuing decades, but would never
find the same level of success. Evans would resurface in Captain Beyond, a band
that included former members of Iron Butterfly and Johnny Winter's band. Not
quite a "supergroup", they were at the very least a
"pretty-nifty-group." They released a couple of well received, if not
hot selling albums, before Evans left the music business to work as a
respiratory therapist.
Unfortunately, Evans' story took a pitiable turn in 1980,
when he was recruited by a disreputable promotion company to participate what
would be a Deep Purple reunion in name only, with a group of hired guns
(apparently Simper was also approached, but turned down the offer). After a few
warm-up gigs, the band was set to play at the 12,000 seat Long Beach Arena. On
the day of the show, the managers of (the real) Deep Purple placed a half page
ad in the LA Times informing audiences that no members of the band's most
popular Mark II and III lineups would be performing. The show went on as
scheduled, and went off poorly. Sound problems abounded, the band was below
subpar, and angry fans, realizing they'd been duped, began leaving immediately,
many asking for refunds. A lawsuit was brought against Evans (assumed by many
to be at the behest of guitarist Ritchie Blackmore) which resulted in his loss
of all future Deep Purple royalties. It is a sad and embarrassing story and one
does have to wonder how Evans, who was described by his former band mate, Bobby
Caldwell, as an "intellectual giant" (although, to be fair, this is
by rock star standards [ducks]) would have allowed himself to be roped in to
such a dubious enterprise.
If anyone can shed light on this, please let me know.
Looking at these and other cases, it seems to me that the decisions of who gets
in and stays home and bitterly watches the ceremony on TV, are taken on a case
by case basis and based more on whims than specific criteria. We may never know
the answer, but the case of Nick Simper once again highlights the
irregularities and inconsistencies of the induction process of the Rock and
Roll Hall of Fame.
(¹The only reason I can imagine for this strange paradox is
that Welnick joined a band that played together more or less continuously for
several decades, as opposed to Haynes who joined a band that was reforming
after having been broken up for several years. It's not much, but it's all I
got, and it would explain the absence of Deep Purple's Steve Morse and Don
Airey.)
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